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"We kept Bowie alive for a couple of years. He went through a bad patch of not getting very much work and people not paying a great deal of attention to him. He did a lot of sessions during that time." (John Peel, Radio Radio)

"I just liked the idea that he was always a step or two ahead of the game."
(John Peel, Peeling Back The Years)

David Bowie - Heroes03:26

David Bowie - Heroes

'Heroes' - the only Festive Fifty entry

David Bowie, born David Robert Jones on 8 January 1947, is an English musician, actor, record producer and arranger. A major figure for over four decades in the world of popular music, Bowie is widely regarded as an innovator, particularly for his work in the 1970s … (read more at Wikipedia)

Links To Peel Edit

Bowie's earliest singles made little impact either in the UK or US charts, but things began to change with "Can't Help Thinking About Me", which made the Radio London charts and received plenty of airplay on the pirate station. After this, Bowie signed to Deram, a new label set up by Decca Records to release adventurous yet still commercial pop material. His singles of 1966 and 1967 also made Radio London's charts, even if they did not feature in the national top thirty, and tracks from his first LP, David Bowie, were played by the station's DJs, including Peel. However, he did not become one of the mainstays of Peel's Perfumed Garden and despite the efforts of his record company and management Bowie did not enjoy the commercial success of his Deram label-mate and fellow singer-songwriter Cat Stevens. Yet the album did enough to establish Bowie's reputation and a first Top Gear session followed in late 1967.

When Peel was the subject of This Is Your Life in 1996, Bowie was happy to credit the DJ with giving him his first break at the BBC:

I remember around 1965 I did an audition for the BBC and I failed, and the report said, ‘This vocalist is devoid of personality and sings all the wrong notes.’ So in your inimitable manner and with tremendous enthusiasm you got me back on for another audition, which I passed the second time around, which gave me freewheeling access to a lifetime of singing all the wrong notes.

In fact, as Peel admitted on the 1993 radio documentary Bowie At The Beeb, it wasn’t until The Man Who Sold The World LP of 1970 that he really became enthusiastic about Bowie’s work and it had been producer Bernie Andrews who was responsible for booking the singer for his early sessions on Top Gear:

I’d played bits and pieces on the pirate ships and indeed on Top Gear, and he’d done the sessions of course for Top Gear, but by and large they were done because producer Bernie Andrews was keen on his work. I wasn’t so keen but I had no influence on choosing who did sessions. This was during the Anthony Newley period of his career, which I didn’t care for a great deal – still don’t, to be perfectly honest with you.

Like Peel, Bowie was a friend of Marc Bolan, which helped him gain a support spot on the Tyrannosaurus Rex tour of early 1969 (see Gigography 1969). Thirty years later, on the Peel Night TV special to celebrate the DJ’s 60th birthday, Bowie remembered:

When you worked with me on the T-Rex tour and I was doing a mime piece based on the invasion of Tibet by the Chinese ... you decided that the problem was that I was doing mime. You didn’t like mime, and until I came here to America I never realized that you were right - nobody in the world likes mime. Thanks for the advice about the songs. I’m glad I stayed with the songwriting.[1]

Peel played the new Bowie single Space Oddity on 06 July 1969 while bemoaning the fact it was obviously not bound for the charts. Although the record eventually became a surprise hit,[2] Bowie’s career continued to tread water as he tested different directions. Peel would later recount on numerous occasions the story of Bowie writing to ask him for money:

People weren’t paying a great deal of attention to what he did, to the point where I have letters from him at home – which I bet are worth a pretty penny now – in which he asks me for money to support the Beckenham Arts Lab, and these are full of drawings of what he wanted to do with the buildings and so on. I didn’t send him any money, although I used to send money to lots of people, but not to him. (Bowie At The Beeb)

Before his big breakthrough with the Ziggy Stardust album (1972) Bowie was featured in BBC concert programmes hosted by Peel in both 1970 and 1971. In Margrave Of The Marshes, Sheila Ravenscroft quotes a 1969 letter from Bowie to Peel requesting a booking:

I think I should stay out here [Bromley] for most of the summer, and come to town just for the gigs and the one or few friends that I know. Do you think we could do your Strand place soon? It would be nice to work so close to Charring Cross as my last train leaves at 12:15.[3]

Peel continued to play Bowie's records regularly until the turn of the 1980s. Heroes was included in the DJ's self-chosen 1977 Festive Fifty and the following year he played the whole of the Stage double album. In later years, however, he tended to play down his earlier connections with the singer, perhaps influenced by an incident at a record company reception when he was apparently forcefully blocked from approaching Bowie by an American bodyguard.[4] Bowie himself, however, was always generous in his public thanks to Peel for his early support. After Peel's death, Bowie invoked the DJ's name when backing the ultimately successful campaign to keep BBC Radio 6 Music from closure.[3].

In 2012, in an online documentary for TheSpace website, Spiders From Mars bassist Trevor Bolder and BBC engineer Nick Gomm recalled Bowie's historic fourth Peel session, which introduced material from the upcoming Ziggy Stardust LP. The following year, the John Peel Archive site released details of Peel's collection of Bowie singles.

Festive Fifty Entries Edit

Peelenium Edit

Sessions Edit

Four Peel sessions plus many others at the BBC. A selection of tracks was released on Bowie At The Beeb (2xCD, EMI, 2000).

1. Recorded: 1967-12-18. First broadcast: 24 December 1967

  • Love You Till Tuesday / When I Live My Dream / Little Bombadier / Silly Boy Blue / In The Heat Of The Morning

2. Recorded: 1968-05-13. First broadcast: 26 May 1968. Repeated: 30 June 1968.

  • London Bye Ta Ta / In The Heat Of The Morning / Karma Man / When I'm Five / Silly Boy Blue (first play 30 June 1968)

3. Recorded: 1972-01-11. First broadcast: 28 January 1972. Repeated: 31 March 1972

  • Ziggy Stardust / Queen Bitch / I'm Waiting For The Man / Lady Stardust

4. Recorded: 1972-05-16. First broadcast: 23 May 1972. Repeated: 25 July 1972, 27 June 1977

  • Hang On To Yourself / The Rise And Fall Of Ziggy Stardust / White Light White Heat / Suffragette City

Live Edit

  1. Port Of Amsterdam
  2. God Knows I'm Good
  3. Buzz The Fuzz
  4. Karma Man
  5. London Bye Ta Ta
  6. An Occasional Dream
  7. The Width Of A Circle
  8. Janine
  9. Wild Eyed Boy From Freecloud
  10. Unwashed And Somewhat Slightly Dazed
  11. Fill Your Heart
  12. Prettiest Star
  13. Cygnet Committee
  1. Queen Bitch
  2. Bombers
  3. The Supermen
  4. Look For A Friend
  5. Almost Grown
  6. Kooks
  7. Song For Bob Dylan
  8. Andy Warhol
  9. It Ain't Easy

Other Shows Played Edit

The list below was compiled only from the database of this site and Lorcan's Tracklistings Archive and is certainly incomplete. Please add further information if known.

1969
  • 06 July 1969: Space Oddity (single) Philips (Peel bemoans the fact that David Bowie's new single is obviously not bound for the charts)
  • 27 July 1969: Space Oddity (single) Philips
1970
1972
1973
1975
1977
1978
  • 27 July 1978: Blackout (LP – Heroes) RCA
  • 26 September 1978: (2xLP – Stage) CBS – sides 1 and 2 played in full. Other two sides promised for the following evening.
  • 27 September 1978: (2xLP – Stage) CBS – sides 3 and 4 played in full (presumably)
  • 29 September 1978 (Davie Jones & The King Bees): Liza Jane (single) Decca reissue
  • 29 September 1978 (Davie Jones & The King Bees): Louis, Louis Go Home (single) Decca reissue
  • 28 December 1978: Heroes (LP – Heroes) RCA FF#16
1979
1980s
  • 23 February 1982: Ballad Of The Adventurers (EP - Baal) RCA (Bowie appears on the cover of the next issue of Radio Times (following Kenny Everett in the current edition), as he is due to star the following Tuesday in a TV production of Bertolt Brecht’s Baal. Peel comments that Bowie started out sounding like Anthony Newley and seems to have returned to that.)
  • 14 April 1982: Art Decade (album - Low) RCA
  • 19 September 1984: Blue Jean (single) (Peel went to see The Company Of Wolves and hence plays the David Bowie track, the video of which was played as the supporting film - "the video rather better than the record, I must admit, but I can't play you the video." Nevertheless, "both well worth seeing" is his verdict.)
  • 23 February 1987: Andy Warhol (LP - Hunky Dory) (Presumably opened the programme to commemorate Warhol's death the previous day)
  • 13 June 1988: Warszawa (LP - Low) RCA
1990s
2000s
Top Of The Pops
Other
  • Where It's At: Fame (LP-Young Americans) RCA
  • Peeling Back The Years: Fame (LP – Young Americans) RCA
  • Punk Fiction: Golden Years
  • Beam Me Up, Scotty: Space Oddity (LP-David Bowie) Philips
  • Radio Radio (Transcript): (JP: "I think if people are any good they are going to become public property eventually anyway, so all you can do is sort of either accelerate or retard the process. So there have been people like, uh, well, we kept Bowie alive for a couple of years. He went through a bad patch of not getting very much work and people not paying a great deal of attention to him. He did a lot of sessions during that time.")
  • John Peel: In Session Tonight: Oh You Pretty Things
  • Keeping It Peel: 'Suffragette City' (Peel session)

External Links Edit

References Edit

  1. Peel would claim in Margrave Of The Marshes (hardback edition, pg 20) that his only contact with Bowie on the tour was shouting down the corridor to tell him it was time to go on.
  2. The song didn't enter the UK chart until September 1969 and reached its highest position (#5) on 1969-11-01.[1] It would be a #1 hit when reissued in 1975.[2]
  3. Hardback edition, pg 245.
  4. See, for example, Margrave (hardback, pg20).

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